Samuel Coleridge-Taylor

Toussaint L’Ouverture · Ballade Op. 4 · Suites from “24 Negro Melodies”

National Philharmonic joins forces with GRAMMY® Award-winning conductor Michael Repper and GRAMMY® nominated violinist Curtis Stewart for an album of world-premiere studio recordings in celebration of composer Samuel Coleridge-Taylor’s 150th birthday. SAMUEL COLERIDGE-TAYLOR brings newly uncovered orchestral works to life and spotlights the immense contributions of Coleridge-Taylor to orchestral music.

“This project is really special,” says NatPhil President & CEO Jim Kelly. “And the time is now. I really want the world to know all about this music.” The album is available now to purchase and stream on all major platforms.

Along with the album, free, open-source performance materials, including Toussaint L’Ouverture, Ballade Op. 4  and 5 Negro Melodies, will be available starting August 1.

On September 20, Repper and Stewart join NatPhil at The Music Center at Strathmore for a concert in celebration of the album’s release. The program features two works from the album by Samuel Coleridge-Taylor – Toussaint L’Ouverture and Ballade op. 4 for Violin and Orchestra – alongside Avril Coleridge-Taylor’s Sussex Landscape and Tchaikovsky’s Symphony No. 5. Tickets are on sale now!


NatPhil in the News

“It’s an experiment in interaction with folk music, in exploring the nature of recomposition, and in honouring the past by considering influences in the present.” – Curtis Stewart

– The Strad
“That’s the whole goal of this project: to make Samuel Coleridge-Taylor a household name by giving more people an opportunity to hear his music. And that’s good—because it really is extraordinary.” – Curtis Stewart

– Strings Magazine
Coleridge-Taylor’s works are full of beauty, depth and meaning, and occupy an important position in classical music’s legacy. Bringing them into spaces where they hadn’t been heard, at least for over a century, and making the performance materials freely available aligns with the broader goal of making classical music more open, more representative, and more connected to the people who engage with it. – Michael Repper

– International Arts Manager

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