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Program

Eugene Rogers, conductor

Damien Norfleet, baritone

Monique Holmes-Spells, soprano

Reginald Mobley, countertenor

The Washington Chorus

Bernstein: Chichester Psalms (20′)

0 0 0 0 — 0 3 3 0 — T+7 — 2hp — str

Reginald Mobley, countertenor

Nkeiru Okoye: Invitation to a Die-In (12′) 

2(1,2/pic) 2(1,eh) 2(1,bcl) 1 – 4 2 1 1(or btbn) – T+3-Str

Damien Norfleet, baritone

Stevens/Lynne/Smith arr. Rogers: Glory (from Selma) (5′)

2[1/pic.2] 2 2 2 – 2 2 2 1 – tmp+2 – electric bass – str

Damien Norfleet, baritone 
Monique Holmes-Spells, spoken word

Rollo Dilworth: Weather: Stand the Storm (20′)

2 1 4[1.2.3.bcl] 2 – 4 3 3 1 – euphonium – tmp+4 – pno – str

Damien Norfleet, narrator

Sheet Music

All music will be mailed this season. *Inside string players will be mailed practice parts on request only* Please leave music on your stands as you leave the stage after the final service. Please see digital copies of your music in the following dropbox: 

Download Music

Music Questions:

Olivia Ren, Librarian

olivia@nationalphilharmonic.org


Personnel

PLEASE NOTE: The list below indicates musicians who are confirmed for this cycle and DOES NOT represent seating/part assignments. The official roster will be shared 3 weeks before the first service.


Contacts

Jim Kelly, President
 jim@nationalphilharmonic.org
Cell: 202-321-7832

Anna Harris, Director of Artistic Operations
 
aharris@nationalphilharmonic.org
Cell: 443-857-4205

Laurie Lane, Administrative and Development Associate  
*Contact Laurie for all things related to payroll and onboarding. 

laurie@nationalphilharmonic.org
Cell: 301-332-3476

Olivia Ren, Librarian
olivia@nationalphilharmonic.org

Schedule

STATUS: Draft

All events are subject to change until February 18, 2025.

Sync to Personal Calendar

Sync this calendar to your personal calendar (Outlook, Gmail, Apple, etc) by following the steps linked below.

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Roster

The roster will be posted here on or before February 18, 2025.


Venue Info

Music Center at Strathmore

The Grosvenor-Strathmore station is located off Tuckerman Lane on the east side of the Rockville Pike just north of the Beltway. 

There is a sky bridge connecting the 4th floor of the Metro garage to the entrance of the Music Center.  Walking time between the Metro station entrance and the Music Center entrance is approximately 4 minutes.  The stage is on level 1 (one level above the ground).   

 http://www.strathmore.org/planyourvisit/directionsparking.asp

Concert Hall Stage + Rooms 402/405: Strathmore expects cellists and bassists of all orchestras, including NP, to use rock stops or other forms of end pin covering while onstage, or face financial penalties for any resulting damage. NP wishes to avoid any such fines and so appreciates your cooperation in this matter. 


Concert Dress

Musicians of the orchestra may wear one of the following dress code options for all Symphony concerts. No gender conformity is necessary, so any gender can where any listed option below. 

1: Black suit with black modern fitting pants with a black shirt with long sleeves of similar cocktail attire

2: Black full-length skirt with a black blouse of the formal cocktail attire with ¾ or full-length sleeves. 

3: Black Dress with formal dress shoes with or without a heel, any color. (Sparkles encouraged). Black Blouse of the formal cocktail attire with ¾ or full-length sleeves. 

4: Black pants suit or full pant and dress blouse combination. Must be of the formal cocktail party attire. A jumpsuit with formal and long sleeves with dress shoes with or without a heel, any color. 

Important Guidelines: No open back blouses, no strapless, must be ¾ or long sleeves. Dresses must have a ¾ or fulllength sleeve as well as no slits above mid-calf. No skintight pencil style skirts or tight-fitting dresses. 

Jewelry: Sparkly jewelry and stage makeup encouraged to prevent looking pale on stage with stage lights. 

*Shoes: Please wear colorful and fashionable dress shoes* No clogs, boots, crocs, sneakers, or casual shoes permitted unless specified. Shoes must be polished. 


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